The Theory of Music Universality Essay Example | Topics and Well Written Essays - 3000 words

The Theory of Music Universality - Essay ExampleIts ability to communicate has been as revered as it has been suspect, and its rich social and ritualistic associations have added layers of meanings that can only be expressed in unisonal terms, and not in terms of words or images.Aaron Copland in his How We Listen says that music can be listened to and enjoyed in three different planes the sensual, the expressive and the solely musical. The listening experience for a particular piece of music is taxd on entirely(a) these planes simultaneously, but to understand the effects of music it is necessary that we at least draw these levels separately.The sensual plane is the absorption of the sheer pleasure that music affords, the noble mood it evokes, and the escape from the mundanities of life it makes possible. The expressive plane, on the other hand, talks to the listener, but does not have a concrete message to convey, it conveys broad senses of feeling ..... serenity or exuberance , regret or triumph, fury or delight. It expresses each of these moods, and many others, in a numberless variety of subtle shadings and differences. It may unconstipated express a state of meaning for which there exists no adequate word in any language.The third plane is where the listener is mindful of the musical form, where the harmony, the melody, the rhythm, and the tonal color are consciously appreciated the listener knows about the notes and the structure of the written music, the composers style and thought process and can evaluate the rendition of all this by the performers.All theories of music through time have talked about the sensual, expressive or the solely musical planes in whiz way or the other. To understand how the perceptions on music have changed down the years, we need to examine the various thought processes of philosophers, and the conclusions they arrived at, tracing a historical outline from the Greek times, to the Baroque era and down to the present. No t much featureual evidence of Greek music has survived, but an understanding of the ancient Greek philosophers standardised Plato and his student Aristotle, Pythagoras and Plotinus go a long way in answering a lot of queries on the views held about music in those times. Of note is the fact that music then was more of a part of peoples lives than it is today, and hence the comments made by the thinkers of those times have to be understood in the appropriate context.For all our musical and philosophical sophistication, it seems that the Greeks lived their music far more deeply than we do ours. Difficult though it may be for us to think of music as the kind of thing capable of revealing important fundamental truths about the world, for the ancient Greeks there seems to have been little doubt. And for good reason their world was, afterwards all, a fundamentally musical one. (Bowman, 1998)